Timothy Garton Ash con The File: A Personal History
Good, A good, clean and sound copy in black cloth boards with dust jacket.
Praise for Timothy Garton Ash:
The Polish Revolution (Winner, Somerset Maugham Prize, 1983)
Times Literary Supplement.
We the People (1990)
‘It is with minimal exaggeration that I state that, in the future, there will probably be streets in warsaw, Prague and Budapest bearing the name of Timothy Garton Ash.’
Karel Kyncl, Independent.
‘He is our best informed and beadiest commentator on Europe – eloquent, sceptical, fearless, with a tinge of idealism so wary as to be acceptable.’
From the Inside Flap
"Eloquent, aware and scrupulous . . . a rich and instructive examination of the Cold War past." --The New York Times
In 1978 a romantic young Englishman took up residence in Berlin to see what that divided city could teach him about tyranny and freedom. Fifteen years later Timothy Garton Ash--who was by then famous for his reportage of the downfall of communism in Central Europe--returned. This time he had come to look at a file that bore the code-name "Romeo." The file had been compiled by the Stasi, the East German secret police, with the assistance of dozens of informers. And it contained a meticulous record of Garton Ash's earlier life in Berlin.
In this memoir, Garton Ash describes what it was like to rediscover his younger self through the eyes of the Stasi, and then to go on to confront those who actually informed against him to the secret police. Moving from document to remembrance, from the offices of British intelligence to the living rooms of retired Stasi officers, The File is a personal narrative as gripping, as disquieting, and as morally provocative as any fiction by George Orwell or Graham Greene. And it is all true.
"In this painstaking, powerful unmasking of evil, the wretched face of tyranny is revealed." --Philadelphia Inquirer
From the Back Cover
'Guten Tag,' says bustling Frau Schulz, 'you have a very interesting file.' And there it is, a buff-coloured binder, some two inches thick, rubber stamped on the front cover: OKP – Akte, Mfs, XV2889/81. Underneath is written, in a neat, clerical hand: 'Romeo'.
'Yes, that was your codename,' says Frau Schulz and giggles.
In 1992, after the Berlin Wall came down and the archives of Eastern Europe were opened, Timothy Garton Ash walked into the ministry which now looks after the records of the Stasi, the East German secret police, and asked if there was a file on him. There was – one marked 'Romeo'.
'The File' is the wry, compelling and ultimately very moving story of what was in the buff-coloured binder, and of the avenues – personal, political and historical – down by which Garton Ash was led by it. It begins autobiographically, as he recalls his life as a young man in the charged atmosphere of cold war Berlin, but quickly and brilliantly opens out, as he tracks down and confronts those who once tracked him for the Stasi. He remembers who were, or who he thought were, his friends; he discovers how some of them became informers; he talks to Stasi officers who had him down as a British spy. His journey also takes him unexpectedly back to Britain, to our own secret world.
Deftly peeling back layer after layer of history and deception, Garton Ash shows us, wittily and subtly, how nearly impossible it is to establish any historical truth, how far our lives are actually built on forgetting, and how much the way we act depends on the circumstances in which we are placed. 'Amidst the ghosts of secret Germany', he writes, 'I was searching for the answer to a personal question. What is it that makes one person a resistance fighter and another the fateful servant of dictatorship? This man a Stauffenberg, that a Speer? I am searching still'.
"He is our best informed and beadiest commentator on Europe – eloquent, sceptical, fearless, with a tinge of idealism so wary as to be acceptable."
"It is with minimal exaggeration that I state that, in the future, there will probably be streets in Warsaw, Prague and Budapest bearing the name of Timothy Garton Ash."
KAREL KYNCL, 'Independent'
"Garton Ash is, in the most literal sense of the term, a contemporary historian. He writes primarily as a witness to the events he is treating, and not just as an outside witness but often as an inside one as well; for his own involvement in these events, intellectual and emotional, is of such intensity that he can speak, in a sense, from the inside as well as the outside. Yet the sense of the historic dimension of the events in question is never lost. And the quality of the writing places it clearly in the category of good literature."
GEORGE F. KENNAN, 'New York Review of Books'